Burt Kimmelman's CurriculumVitae Burt KimmelmanDistinguished ProfessorDepartment of HumanitiesNew Jersey Institute ofTechnologyEducationPh.D., English Literature; Certificate, Interdisciplinary Medieval Studies,City Universityof New York Graduate School, 1991Doctoral Thesis: 'The Poetics ofAuthorship in the Later Middle Ages:TheEmergence of the Modern Literary Persona'Thesis Adviser: Allen Mandelbaum;Readers: Robert O. as author“To Love Too Much: NormanFinkelstein and the Problem of Inscription,”Where the Wanting Leads Us: Reading thePoetry of Norman Finkelstein,Ed.

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Asheville, NC: Mad Hat P / Plume Editions (forthcoming) “TheMachaut Map: Geoffrey Chaucer, Christine de Pizan, the Diegetic Self andPre-Renaissance Individualism in Northern Europe,' Machaut's Legacy: The Judgment Poetry Traditionin Late Medieval Literature, Co-Eds. Barton Palmer and BurtKimmelman, Gainesville: U of Florida P, 2017.“ Introduction,' Machaut's Legacy: The Judgment Poetry Traditionin Late Medieval Literature, Co-Eds. Barton Palmer and BurtKimmelman, Gainesville: U of Florida P, 2017.“Foreword,” ThePoetics and Poetics of Michael Heller: A Nomad Memory,Jon Curley and Burt Kimmelman, co-eds., for. Intr, and annot. Madison, NewJersey: Fairleigh Dickinson University Press / New York: Rowman and Littlefield, 2015.vii-ix.“Interview with Michael Heller, interview by Jon Curley and Burt Kimmelman”The Poetics and Poetics of Michael Heller: A Nomad Memory, Jon Curley andBurt Kimmelman, co-eds., for. Intr, and annot.Madison, New Jersey:Fairleigh DickinsonUniversityPress / New York:Rowman and Littlefield, 2015.

153-72.“Reading the Posthuman Subject inThe Alphabet,” Reading theDifficulties: Dialogues with Contemporary American Innovative Poetry, Eds.Thomas Fink and Judith Halden-Sullivan,Tuscaloosa: University of Alabama Press, 2014, pp.70-92“ The New American Poetry's Objectivist Legacy:Linguistic Skepticism, the Signifier, and Material Language, ” The New American Poetry: Fifty Years Later, ed. John Woznicki,Bethlehem, PA: Lehigh University Press, 2014. 221-74.“The Problem of Pleasure in Reading Wi lliamBronk,” WilliamBronk in the Twenty-First Century: New Assessments, Eds.Edward Foster andBurtKimmelman, Greenfield, MA:Talisman House, Publishers, 2013, pp. 122-32“’Equal, That Is, to theReal Itself’: The New Physics, Charles Olson, and Avant-Garde Poetics,”Restoring the Mystery of the Rainbow: Literature’s Refraction ofScience, Eds. Valeria Tinkler-Villani, and C. Barfoot,Amsterdam/ New York:Rodopi, 2011, pp. 641-67.“ Enid Dame’s Householdry,”For Enid with Love: AFestschrift, Ed.

Barry Wallenstein.NewYork: NYQ Books, 2010. Reprint of article inRain Taxi (see below).' The Lyre and the Atom: Ronald Johnson’sReinvention of Nature,' Ronald Johnson: Life and Works, Eds. JoelBettridge and Eric Selinger, Orono: National Poetry Foundation, 2008, pp.421-33“The Trope of Reading in the Fourteenth Century,”Reading and Literacy in the Middle Ages and the Renaissance; Arizona Studiesin the Middle Ages and the Renaissance Volume 8, Ed, Ian Moulton,Turnhout, Belgium: Brepols, 2004, pp. 25-44“Introduction,” ImperfectFit by Martha King,NewYork: Marsh Hawk Press, 2004, p.

Xi'The Traces of Being: Armand Schwerner's Ephemeral Episteme,'PoetryCriticism 42, Ed. Allison Marion, Detroit: Gale Group; areprint of journal article (see Journal Articles section, below)'Foreword,' Bearing Across: Studies in Science and Literature, 2ndEdition, by Steven Carter, Washington, D.C.: International ScholarsPublications, 2002, pp. Ix-xviii“‘Art As a Way’: ‘Absence and Presence, Aesthetics and Friendship in theWilliam Bronk – Robert Meyer Correspondence,” in The Body of this Life:Reading William Bronk, Ed. David Clippinger, Jersey City:Talisman House Publishers, 2001, pp. 40-52; republishedin Otoliths 17 (1 May 2010),'Ockham, Chaucer, and the Emergence of Modern Poetics,' inRhetoricalPoetics of the Middle Ages: Reconstructive Polyphony. Essays in Honor of RobertO. Hill, and Deborah Sinnreich-Levi, Madison, NewJersey: Fairleigh Dickinson University Press (2000), pp.

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177-205'The Language of the Text: Authorship and Textuality in Pearl, The DivineComedy, and Piers Plowman,' in The Medieval Book and the Magic ofReading, Ed. Albrecht Classen, New York and London: Garland Publishing(1999), pp. 123-48'George Oppen and the Other: Carl Rakosi's 'Old Poet's Tale','CarlRakosi: Man and Poet, Ed. Michael Heller, Orono, Maine: National PoetryFoundation, 1993, pp.

433-47Editor Reviewed“The Problem of Pleasure inReading Wi lliam Bronk,”WilliamBronk in the Twenty-First Century:New Assessments, Eds.