Item MetadataTitleIdeologia y humor en La Dama Boba de Lope de Vega y CarpioCreatorDate Issued1992DescriptionThis study attempts to analyze Lope de Vega's La damaboba (1613), The study begins with a brief review of theliterature on La dama boba and a few notes on themethodology used to interpret the play. Vis-a-vis thisexisting body of critical literature, the objective of thisthesis is to follow the play on a scene by scene basis,thus viewing the work as intended by its author. As acorollary to that objective, careful attention will beplaced on the author's ideological viewpoint. In this playLope applies basic principles of platonism, aristotelianismand neoplatonism to common domestic affairs. Thus we seehow 'love' can transform a foolish young woman (boba) intoa crafty and astute person (lista), or how 'extremes' incharacter—the fool, the pedant-will ultimately find their'golden mean.' Lope manages to portray this philosophicalvision while at the same time maintaining the interest ofhis audience through humour. Therefore the study alsoexamines some of the mechanisms of humour used by theplaywright.Extent2030186 bytesGenreTypeFileFormatapplication/pdfLanguagespaDate Available2008-12-18ProviderVancouver: University of British Columbia LibraryRightsFor non-commercial purposes only, such as research, private study and education.

• The Theatre Of The Absurd Martin Esslin Pdf Download

Additional conditions apply, see Terms of Use.DOI10.14288/1.0086627URIDegreeProgramAffiliationDegree GrantorUniversity of British ColumbiaGraduationDate1992-11CampusScholarly LevelGraduateAggregatedSourceRepositoryDSpaceDownloadMedia 1.94MB MetadataJSON:JSON-LD:RDF/XML (Pretty):RDF/JSON:Turtle:N-Triples:Original Record:Full Text CitationFull Text.

Cunningham and proposed a number of innovations in dancing and multimedia. They changed the relationship between dance, music and also visual art, which they included in the same time and space, but should be created independently of one another. For Cunningham the subject of his choreoraghies was always dance itself.

He also experimented with dance and technology like using the computer program DanceForms.In the late nineteenth century electric stage lighting was considered a revolutionary technology and Loie Fuller (1862-1928) was one of the first modern dancers to experiment with its possibilities. Fuller was regarded as a pioneer in working with multimedia. She developed free dance and her own natural movement and improvisation techniques. Fuller combined her choreography with silk costumes illuminated by multicoloured lighting of her own design.Today to use light in dance performance is the norm and technological possibilities have brought a new kind of multimedia. From virtual dancers to entire stage settings created using computer graphics that interact with the dancers on stage, the variety to show dance performance seems endless.

One example is this video:Nora Orth. In now a days we can visit museums and city’s virtual on the computer.

With 3D in Movies and Games we feel like we are in the reality.But is the new opportunity of technology a blessing or a curse?The german philosophe Walter Benjamin (1892) saw that the opportunity of art changed since photography and film exists. With this materials every piece can be reproduced. The endless reproduction of art let them loose his atmosphere. But the reproduction was for Benjamin positive, because now for everybody art is accessible like in the “Google Art Project”. In this project the users can make a picture from a zoom of each painting and chair it with the others.

Art is now a social happening.So now we can look really close to a paintings work with zoom, how never before:“The starry night” Vincent van GoghBernard Frischer is also a big friend of Reproduction. Especially of in the digital form. He is a leading digital humanist and rebuilded Rome in a digital world. In his project we can see how Rome looked like in all ages before.So digital technology is a opportunity to meet places, people in an other time and space and it is available for everyone.The question seems to be, will Projects like “Rome rebuild! Or “google art” replace the experience of real places, museums and art?I think digital technology can never replace a real art.

For me art is created in the real life not in the computer. Art is for me something what you can touch and where you can see the special work tracks of an artist, like the brush.To go to a museum or to a place is more impressively than the virtual world. A visit in a museum you will never forget. But you can not remind all the pictures that you have seen in the Internet. Visual music meant the transposition of melodic, harmonic and rhythmic in relationships with images.

It is a dynamic art form who underlines the images that we can see, so that we even feel more. The historical roots of visual music can already be found in the theories of Pythagoras and Aristotle, they connected 7 colours to sounds.

In Renaissance music was coupled to colour and light values ​​so that color music could be produced by means of color organs. In the 20s and 30s expanded the representative of the absolute film artists like Oskar Fischinger and Len Lye. They made a perfect composition between rhythmic music and moving image.But also the color themself develop an emotion in us. Red means energy and love, blue ice and peace. So every colour has a meaning for us, for example we didn’t expect, that an apple is blue, we wouldn`t eat it.The artist from swiss Hanspeter Kruesi composed to each 7 colours of the rainbow a music. So when we hear orange it is warm and slowly, blue is fresh and fast:orange:blue: concept is “Farbmusik” who uses music as an expression of the emotional experience of colours.

The listener should experience the same psychological sensation hearing the music of a chosen colour similar to other methods such as: light, paintings, imagination or others. The composed music used different methods like piano, guitar, modern sounds, beats and psycho acoustic effects. The rainbow colours have been chosen because they are the manifestation of spectral colours and show the normal range of colours which humans are able to see. For Kruesi the colour music is a therapy form. Abril 2013 STQQSSD0Artigos Recentes.

Anna Carolina Vieira. Carolina Costa. Francisco Costa. helenamsantosv. joanacastanheira13. Miguel Vitorino. miguelpimentel.

The Theatre Of The Absurd Martin Esslin Pdf Download

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