Frank Miller Ronin Rapidshare S
.For more than 35 years, Frank Miller has been one of the most innovative, and at times, controversial comic book creators in industry history. As both a writer and artist, Miller has redefined classic characters such as Batman, rescued other heroes from the abyss of cancellation like Daredevil, and created entirely new universes in some of his independent works.One of those new worlds has been thrust back into the spotlight this week with the release of Sin City: A Dame to Kill For, a sequel to 2005’s Sin City. Based on the independent series Miller scripted and illustrated for Dark Horse Comics in the late 90s/early 2000s, Sin City is notorious for its black and white neo-noir sensibilities, and its hyper-violent and corrupt cast of characters. It is also one of Miller’s most celebrated works, garnering a number of awards. As equally ambitious as it is weird, this six part limited series, which was published by DC in 1983-84, starts off as a throwback samurai tale before it evolves into a dystopian, cyberpunk story that looks at the power of technology.
Miller, who wrote and illustrated the series, reportedly was inspired to create Ronin after researching Kung Fu movies and samurai comic books for his late 70s/early 80s run on Daredevil. Miller has said that he was gripped by the idea of a masterless samurai – called a ronin – and decided to build an entire series around it.Miller’s narrative is a bit unrefined and at points, hard to follow, while his artwork is clearly missing the boost that Klaus Janson’s inks provided on Daredevil, and later, on The Dark Knight Returns. And yet Ronin remains a grippingly provocative story, and a key part of Miller’s evolution as a creator all the same. In April, SyFy announced that it was adapting the comic into a television series, though no premiere date or casting announcements have been made.9. 300Putting aside some of the legit criticisms about its historic inaccuracy (Alan Moore especially had a lot to say about this comic), 300, which was published by Dark Horse as a limited series in 1998, is a big and bold adaptation of the real-life Battle of Thermopylae. The way the comic is visually composed (Lynn Varley’s watercolors win the “Most Valuable Player” award in terms of how they make this bloody story pop), all but scream that 300 should be adapted into a big budget Hollywood movie – something that came to be in 2007. Sure, it’s ultimately a celebration of preening arrogance and machismo – should the Athenians be any less celebrated (or vilified) than the Spartans for their historic role in the Battle of Thermopylae?
But what it lacks in character development, it makes up for its tone, aesthetic, and its ability to transport the reader. 300 is a visually stunning story that puts the reader right in the trenches, shoulder to shoulder with Leonidas and his army.8. Sin City: That Yellow BastardConsidered by many critics and fans to be the greatest Sin City story, 'That Yellow Bastard' puts its focus squarely on one of the few legitimate “heroes” that exist within Miller’s noir-inspired universe, policeman John Hartigan. The story was also adapted for the original Sin City film in 2005 (with Bruce Willis as Hartigan). By centering the story around Hartigan, Miller manages to tell one of his more uncomplicated Sin City stories. For a change of pace, the reader is not faced with having to root for a character that is unjustifiably violent, sociopathic or some other kind of social deviant. Of course, in typical Sin City fashion, the storyline doesn’t have a happy ending for the hero, but that doesn’t change the fact that Cartigan is the most easy-to-like character in the series.The comic is also notable for how it visually differentiated itself from previous Sin City stories.
Frank Miller Ronin Rapidshare S Movie
'That Yellow Bastard' is still primarily a black and white comic, but Miller adds yellow embellishments to the Roark Junior character – an artistic decision that is so striking, it successfully creates an even greater aura of terror around the character whenever those yellow brushstrokes appear on the page.7. Give Me Liberty: An American DreamUnlike many other Miller stories, Give Me Liberty, which was published by Dark Horse in 1990 and featured artwork from Dave Gibbons, stars a female protagonist, a young American girl named Martha Washington.
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