Orchestra Vst Plugin
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Orchestra Vst Plugin Free
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Seriously. Use the feedback thread.If you feel your post or comment was wrongly removed, please contact the mods, we’ll do our best to sort it out. If you disagree with the rules, you’re always free to explain your thoughts and proposed alternative. The caveats with Vienna are that1) They're expensive: $1000+ for the full, basic package they offer iirc (you can buy it in parts for around $250-350 each).2) The samples come dry - you'll need a good reverb plugin to use with them.3) They do take a bit of tweaking to sound good, they're definitely not like EWQL or the other options where most of the time, you have a pretty good sound out of the box. They definitely aren't the best for cinematic/hybrid film score type stuff imo.I'd definitely recommend it though, but just with the understanding that there are some drawbacks to it as well. 1) They're expensive: $1000+ for the full, basic package they offer iirc (you can buy it in parts for around $250-350 each).To be fair, Spitfire audio is equally (or more) expensive for the same kind of content. The VSL Special Editions offer a very comprehensive orchestral library for a reasonable price.
Sonata Orchestra Free Vst Plugin
Yes, it's still expensive, but if you're looking for 'The best orchestral VST', as OP is, we're not talking a couple of hundred bucks to get you there.Personally, I'm looking into adding some Spitfire products into my collection (currently mostly use VSL, EW, SAM and Orchestral Tools), but I can't really justify the expense right now.2) The samples come dry - you'll need a good reverb plugin to use with them.Yes, which is one of the major selling points of VSL. You can make them sound almost anyway you want, and thus, make it fit into almost any context.And seriously, if you're out to work with 'the best orchestral VST', you'd better own a pretty good reverb plug-in to go with it anyway, would you not?And as a side note; Vienna Ensemble (which is free for VSL users), offers a rather decent reverb built into its engine.3) They do take a bit of tweaking to sound good, they're definitely not like EWQL or the other options where most of the time, you have a pretty good sound out of the box. They definitely aren't the best for cinematic/hybrid film score type stuff imo.Yes, and the tweaking part is also a selling point, and something very good in my book. I'm buying the ingredients to an excellent dish, I'm not buying a pre-cooked meal. Just take some time to prepare some presets in your DAW, and you're good to go without having to tweak stuff every time.I'd definitely recommend it though, but just with the understanding that there are some drawbacks to it as well.Yep, to each his own:) But for me, working with cleaner and drier sounds is preferable to wet and 'pre tweaked' sounds.
But yeah, I suppose it depends on what you're using it for, and how much you're prepared to fine tune the 'out of the box experience'.